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After several years of numbly mourning his parents death, 26 year old Selim takes a chance on the US lottery for passports and wins. He decides to sell the family olive grove to raise enough money to live in Manhattan and to break all roots to Turkey, leaving his girlfriend behind. When Selim's aged grand uncle, Nasuhi returns from Russia after 58 years he asks Selim to visit with him the olive grove of his youth. Before they depart, Nasuhi finds a beaten Russian girl, Olga who was robbed when she tried to sell herself to raise money to continue her own search for her sea faring father.

A struggling writer emerges from rehab and reunites with his estranged brother, but soon descends into a tragic love triangle and is forced to confront a devastating reality.

So-yeon, who has been studying in Paris for several years, returns to Seoul for summer vacation. She is drawn to Min-hwan, a divorced man whom she met in Paris, but Min-hwan is non-committal and ambiguous about his feelings toward her. Soyeon meets a new guy, Hyun-jae, who is deeply into her, she Soyeon still waits for Min- hwan`s call. She laboriously travels from Seoul to Busan, lugging around her luggage, just so that she can see Min-hwan. After the vacation is over, So-yeon returns to Paris. Even with a full package of beauty and intelligence, So-yeon has no place of her own. In Korea that is familiar but unfamiliar land to her, she spends the summer in bearing her feeling, which is not too hot, yet not negligible. Before the Summer Passes Away is the film about loneliness and longings: it is too shy to roar, too powerful to hide. With minimal narrative, the film shows a close observation on So-yeon`s sense of lose at the edge and her unending desire.

So-yeon, who has been studying in Paris for several years, returns to Seoul for summer vacation. She is drawn to Min-hwan, a divorced man whom she met in Paris, but Min-hwan is non-committal and ambiguous about his feelings toward her. Soyeon meets a new guy, Hyun-jae, who is deeply into her, she Soyeon still waits for Min- hwans call. She laboriously travels from Seoul to Busan, lugging around her luggage, just so that she can see Min-hwan. After the vacation is over, So-yeon returns to Paris. Even with a full package of beauty and intelligence, So-yeon has no place of her own. In Korea that is familiar but unfamiliar land to her, she spends the summer in bearing her feeling, which is not too hot, yet not negligible. Before the Summer Passes Away is the film about loneliness and longings: it is too shy to roar, too powerful to hide. With minimal narrative, the film shows a close observation on So-yeons sense of lose at the edge and her unending desire.

Catalyst in the story of crossed paths is a 1957 Ford Fairlane being driven through Portugal’s Alentejo region to a new owner. Film’s overly protracted opening has car’s drivers (Filipe Cochofel, Antonio Pedro Figueiredo) joy riding the night away until the roadster breaks down. Momentum picks up at sunrise with their attempts to fix the car. A retired mechanic-turned-beekeeper with a heart condition (Canto e Castro) does the trick and convinces Figueiredo to take him cross-country on a motorbike to look up an old friend. Cochofel and the mechanic’s alarmed niece (Maysa Marta) follow in pursuit. The old man dies peacefully on the road, but Figueiredo, having wholeheartedly grasped his deliverance mission, keeps going.

Ramira returns to the Misiones rainforest from where she ran away after the birth of her son. Her efforts to rebuild the bond with her mother and her son, who does not recognize her as his mother, are complicated. Her family questions her abandonment of the child and fights with her over the deceased father's inheritance. The child struggles between two mothers, while Ramira seeks to find a sense of reinsertion in the middle of a labyrinth of hybrid languages and customs.

Our gang is off for an exotic vacation of a lifetime. However, after the locals mistake Nia as a mythical savior, their vacation turns into an Indiana-Jones-style adventure!

Long gone are the days of emerald cities and yellow brick roads. In this dark re-imagining of the Wizard of Oz, Dorothy Gale is now an elderly woman, broken by years of paranormal entanglement with a mystical realm, which has now echoed down to her only living relative, Emily, who is being called to settle unfinished business in this terrifying world of Oz.

Two city couples decide to leave the hectic urban life and retreat to the country, but find that rural living isn't quite what they thought it would be.